I somehow rescued the Strange Factories master yesterday, after it was locked away on two raid drives that died in the same week.

It’s an immeasurable feeling locating something that important, that took such a huge amount of work to complete.

Then today I find that Strange Factories is cited in Dr. Steven Gerrards book ‘The Modern British Horror’.

flagship film programs hosted by “important” film critics would never discuss movies such as Demons Never Die (Arjun Rose, 2011) and Strange Factories (John Harrigan, 2013). This is because true British Horror cinema, that which tugs at the very sensibilities of British cultural life, not only is arguably difficult to track down but more importantly questions the very fabric of Britain as a postmillennial country that is now on the verge of possible economic and social collapse in a post-Brexit world.

The Modern British Horror – Dr Steven Gerrard

Sometimes you win.


I’m working in Cranleigh on the second episode of the Field Guide podcast. Enjoying a little break after the terrible intensity of last week. Back to edit 5 later this week. Need to decide on the direction I want to explore in sound.


Edit 5 commences. Night filled with light. Endings in darkness. Eternal faith. Meditation.


I delivered cut 4 of Lightships on the full moon. Also had a blast facilitating the full moon workshops and witnessing the lunar eclipse on the anniversary of the moon landings. This was a good week.

Lanny – Max Porter

This week has been spent editing the fourth cut of Lightships. Focusing on sound. Also more work on the book and some reading. Quite the week, but they all are, aren’t they?

Masks – Bowie and Artists of Artifice.

My essay ‘The Many Masks of Manifestation’ is featured in this interdisciplinary anthology which explores the complex relationships in an artist’s life between fact and fiction.

This interdisciplinary anthology explores the complex relationships in an artist’s life between fact and fiction, presentation and existence, and critique and creation, and examines the work that ultimately results from these tensions.
Using a combination of critical and personal essays and interviews, MASKS presents Bowie as the key exemplifier of the concept of the ‘mask’, then further applies the same framework to other liminal artists and thinkers who challenged the established boundaries of the art/pop academic worlds, such as Friedrich Nietzsche, Oscar Wilde, Søren Kierkegaard, Yukio Mishima and Hunter S. Thompson. Featuring contributions from John Gray and Slavoj Žižek and interviews with Gary Lachman and Davide De Angelis, this book will appeal to scholars and students of cultural criticism, aesthetics, and the philosophy of art; practising artists; and fans of Bowie and other artists whose work enacts experiments in identity.

I’m proud to have my work featured alongside contributors such John Gray and Slavoj Žižek.

‘Masks – Bowie and Artists of Artifice’, Edited by James Curcio is published in January.

Field Guide

Spent the morning out exploring, recorded a podcast for FoolishPeople.


One of the best decisions I made with ‘Armageddon Gospels’ was not to rush to release the film. In a market place that’s saturated, a work that remains occluded takes on a value of its own.

At the moment the film is with our sales agent Crossing The Screen. The aim is to release no later than the 1st of April 2020. 

I’m in the unique position of possibly having my second and third features released in the same year.

Odd and exciting.

Fathers Day

Father’s Day gift from Moon and the boys.

Second Dark Age Feat. Alan Moore.

Dropping this here to remind myself that I need to listen. Thanks to Brian for bringing this to my attention.